[I put up the following piece at the time of Al Williamson's death in June, 2010. It has disappeared off my blog, so I am reposting.]
Al Williamson has died.
He worked in comics since the 1950s, when he was part
of the legendary EC comics stable. His longevity has meant that he has had an
impact on many generations. I became aware of him when he did the Marvel Comics
adaptation of The Empire Strikes Back:
Back then I could instinctively tell that this artwork was
superior to other stuff being published. It’s classical style clicked with me,
and coupled with the excitement about a new Star Wars, it was irresistible.
Williamson drew some of the spin-off Star Wars comics Marvel
published too. This is from 1981, issue 50:
He’d been well known for drawing Flash Gordon in the 1960s
too, taking on the mantle of artist from Alex Raymond – himself a big influence
on the young Williamson. The Flash Gordon movie of 1980 certainly had a
different tone than the comics, but the adaptation was handed over to
Williamson to draw, a choice which delighted fans:
I first saw Blade Runner on video in 1983 and was excited
about a new film with Han Solo in it. However I quickly grew tired of it and
went off to play with my cousins instead. A couple of years later Return of the
Jedi Weekly in the UK
began running Williamson’s Blade Runner adaptation as a back up strip. Wow –
what artwork once again by this guy. I had to see the film again to re-evaluate
it. The comic is beautiful:
By 1983 Return of the Jedi was ready to come out. The comic
was advertised showing parts of Williamson’s artwork. Again, it’s dynamite:
So he’s done Empire and Jedi, but not the original movie. If
only he could have a go at adapting the original Star Wars I thought to myself.
There was another Star Wars comic by Williamson in Star Wars issue 98 in 1985.
Bonus greatness:
I got my first taste of Williamson’s original Flash Gordon
work in one of Alan Class’ UK
black and white collections. These were little treasure troves with plenty of
prime Ditko, Kirby and other great little stories from the 50s and 60s. But
what did I spot in the newsagent one day in the mid 80s? An Amazing Stories of
Suspense cover featuring Flash Gordon which was unmistakably by Williamson:
An Art of Al Williamson book was released in 1983. I finally
got a hold of it years later. It contained something I didn’t know had existed.
Unpublished Star Wars strips drawn in 1977 chronicling the first movie:
After the Empire adaptation, Williamson got the job of doing
the Star Wars newspaper strips. I cut a bunch of them out of a huge pile of
Sunday Express magazines that were sat in the back on my biology classroom in
the late 80s. They really are beautiful:
In the early 90s, Dark Horse Comics re-jigged and reprinted
the strips, editing them so as to fit a standard comic book format, with
Williamson expanding on his artwork and sometimes drawing entirely new pictures.
So, for instance, the preceding Sunday strip became a two pager:
Beginning in the late 80s Williamson put more time into
inking comics. He made everybody he inked look better. Williamson’s work with
John Romita JR. on Daredevil is generally regarded to be the latter’s best.
In 1995 Marvel put out a new Flash Gordon two part series by
Williamson. Great stuff once again:
The last published new work by Williamson that I’m aware of
was a Sub-Mariner story from last year:
Great to still see those evocative lines in the sea
background, and lithe figure work too.
Another strip he drew for many years was Secret Agent
Corrigan, which is all going to be collected soon. Here’s a nice moody three
panels:
I’ve picked up other Williamson comics over the years. As
much as I could growing up in a town without a comic shop.
Here’s a nice page from Alien Worlds in 1984:
This is a 1990s reprint of Sound of Thunder from 1954:
There have been many more books on Williamson since The Art
of in 1983. There has also been a collection of all his Flash Gordon
work which looks tremendous. I’ve mock-complained with my friends that every
time I turn around, someone else has brought out a book on Al Williamson!
Didn’t stop me buying and enjoying them though…
I had just ordered The Al Williamson Archives which is due
out in September. It’ll be a bittersweet
experience looking through it now.
For many years my admiration of Williamson was such that I
thought the best word to describe his work was “impossible”. How could anyone
draw entire comic books to that standard? It just seemed impossibly good. As I
got older I realised that it came down to bloody hard work. Williamson didn’t
have a magic paintbrush that produced this stuff, he had talent and had to sit
down and put the hours in to make it all look so good.
I was paralysed in my own drawing by Williamson. For a long
time, I thought I had to measure myself against him. I could never reach that
level (no-one did), so I was stuck. I finally had to throw him away completely
from my thinking when drawing my own stuff, which finally liberated me.
Now I’m free to enjoy and marvel at the beautiful artwork
that is still there on the page.
Thank you, Al Williamson.
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