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In the early 1990s, Todd McFarlane was the hottest artist working at Marvel Comics. He worked on the long-running Amazing Spider-Man title, catapulting it to massive success. After a while, a new Spider-Man title was created and sold on McFarlane’s name (and new status as writer/artist). That first issue sold somewhere around 2-3 million copies. Which seems ridiculous, especially by today’s standards, where the most successful Marvel Comics sell about 100k. But apparently that is the amount the title sold.
After that, he left Marvel altogether, taking 5 or 6 other “hot” artists with him to create a new company – Image Comics. Would readers go with the superstar writer/artists on new characters, or stick with the characters Spider-Man, The Hulk and X-Men at Marvel?
Well, for a time, Image was a sales phenomenon. McFarlane’s own Spawn was another million-seller, the other books were big hits too, and the DC / Marvel domination of the US industry was substantially cracked.
Personally, I never liked McFarlane’s style. Before he did Spider-Man, he drew The Hulk, and I didn’t like him on there. His rise to comics superstardom was a mystery to me.
So, why am I devoting time to the guy?
This is all a mere preamble to an interview I’d recommend you give a listen. In 1992, at the height of McFarlane’s success, Gary Groth spoke with him. They are living in different worlds, and it’s a fabulous meeting of minds.
Check it out here.
Dump is a small press comic by David Robertson which brings together a number of short pieces most of which were originally produced by the author for other outlets.
The title may lead one to think that the comic contains some scatological humour, and ‘Contemplating Suicide While Someone Else Craps’ is indeed a one page piece with some very black toilet humour.
However, “It’s Delhi Belly”, a piece drawn for an anthology unsubtly called “Crap Your Pants”, is actually a sober tale about someone who finds out they’ve contracted Crohn’s Disease. It’s a factual piece which made me think it was autobiographical, but according to the notes at the back of the comic it was thoroughly researched and written with the truth in mind.
It also contains a story which is itself called ‘Dump’ which is not in fact a bathroom related tale, but about the protagonist of Robertson’s former comic Berserkotron starting a new job at a scrap metal yard / council dump. I sense that this is a story that could follow through to further issues rather than being standalone.
Other tales in the comic include one which considers how positive discrimination would affect humans in a Star Wars style universe where we have a relatively short lifespan, and an undisguised autobiographical account of a single day for the Hourly Comics Day project. Robertson’s unique way of thinking makes each story interesting, and is also evident in the section where he imagines the thoughts of the models from his life drawing class.
There’s something of Harvey Pekar in the straightforward and commonplace nature of many of the events, and the art is simple yet effective which perfectly matches the tone. If Robertson were to weave some more emotional aspects into his stories he could develop to be a storyteller to watch.