NEVER IRON ANYTHING: Star Brand & the New Universe

On this episode, Tony Esmond and I discuss Star Brand by Jim Shooter, John Romita JR, and Al Williamson.

Have a listen here.

MONSTER / MONSTERS

In 1985, my family went to Canada for a family holiday. The first trip abroad we’d had. One of the highlights of the trip for me was access to comics I couldn’t usually get. American Marvel, DC, and other comics. I discovered Archie Comics on this trip.

Marvel Super Heroes Secret Wars had just begun to be published by Marvel UK, and I was eagerly reading that series. One of the comics I got in Canada was Secret Wars II #3 – a jump into the future which blew my mind. 

Another Secret Wars related comic I got was Incredible Hulk #312. The Secret Wars II tie-in element was a few pages tacked on at the end of what was actually a very powerful story. A retelling of Bruce Banner’s life with the conceit that the Hulk was part of his character from the moment he was born. 

The story by Bill Mantlo and Mike Mignola showed that Bruce’s father was possibly irradiated over the years as he worked with dangerous materials. Bruce had suffered mental and physical abuse throughout his childhood, and so when the gamma bomb from The Incredible Hulk #1 went off, it released the Hulk creature which had always been inside him.

It was heady stuff for The Hulk comic, I read it a thousand times and it became a real favourite.

Many years later in 2003, around the time of the Ang Lee Hulk movie, I read an interview with Barry Windsor-Smith in Comic Book Artist #1, where he said the idea of that story had been his. He’d pitched it to Jim Shooter, but for various reasons depending on who you speak to, they’d gone ahead with a Mantlo/Mignola version. Windsor-Smith let the readers know he’d continued working on the comic in the eighteen years since, and completed pages from it were shown in the magazine.

It was shocking to see that one of my favourite Hulk comics had this background, but exciting to think a more expanded, purer version of the story was on the way. 

I used to write letters in to Comics International magazine, and in #163, I sent in the following to them:

Fast forward another eighteen years. As a regular guest of Tony Esmond’s Never Iron Anything podcast, I am called upon to choose different comics to discuss in depth with him. I decided Hulk #312 would be a good choice, as I had seen that Fantagraphics were going to publish the apparently completed “Monsters”. This would be a timely conversation! Have listen here.

Today, my copy of Monsters arrived and I am keen to read it. In fact, I am a bit trepidatious to read it. What if it’s crap? We’ll see…

AVENGERS ASSEMBLE

When I was a kid I liked the Avengers comics. From a young un’s point of view you can buy a comic with Spider-Man in it, one with Batman in it, or you can cheat and get one comic that has loads of superheroes in it.

If one character in a comic was great and getting more was a bonus, the Jim Shooter/Dave Michelinie era was like getting away with murder. Look at the opening page to “The End…and Beginning!”.



Later on in the same story they had a sequence featuring a man and a woman in a sensual embrace. It seemed very risqué at the time.



There was a great one by 70s superstar artist John Byrne where Count Nefaria became all powerful and was able to defeat the Avengers easily. They all tried to stop him to no avail. There is tension throughout the story while everyone wonders where Thor is, as surely he could defeat him?





So imagine my excitement back then when I saw that they were going to be showing a TV programme of the Avengers! Unbelievable!

And imagine my disgust at some bloke in a bowler hat and a woman sticking a flower in his lapel. OK, she did shoot his champagne bottle, but that was hardly in the league of tackling intergalactic menace Korvac!

Now they’ve finally made a live action Avengers movie, but it’s years too late for me to conjure up the same excitement. Oh well…



The Avengers was created by Stan Lee and Jack Kirby. Captain America was created by
Kirby and Joe Simon. Iron Man is credited to Lee, Don Heck and Larry Lieber as well as Kirby.

Here’s a very nice written piece by Neal Kirby on watching his Dad working at the drawing board as a kid.